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Josef Sudek (17 March 1896 – 15 September 1976) was a Czech photographer, best known for his photographs of Prague.
Sudek's photography is sometimes said to be Modernism. But this is only true of a couple of years in the 1930s, during which he undertook commercial photography, including contributions to the illustrated Prague weekly Pestrý týden and thus worked "in the style of the times". Primarily, his personal photography is neo-romanticism. His first commercial and critical success in publishing was the 1928 book on St. Vitus Cathedral, a book of photographs of the cathedral made during the final years of its construction. During and after World War II Sudek created haunting night-scapes and panoramas of Prague, photographed the wooded landscape of Bohemia, and the window-glass that led to his garden (the famous The Window of My Atelier series). He went on to photograph the crowded interior of his studio (the Labyrinths series).
His work was first exhibited in the United States in Five Photographers at the Sheldon Museum of Art at the University of Nebraska/Lincoln in 1968. The George Eastman House presented Josef Sudek, A Retrospective Exhibition in 1974.
He published 16 books during his life.
Known as the "Poet of Prague", Sudek never married, and was a shy, retiring person. He never appeared at his exhibit openings and few people appear in his photographs. Despite the privations of the war and Communism, he kept a renowned record collection of classical music.
In recent years, his work has frequently been reproduced in books, making his work some of the most readily accessible to those interested in twentieth-century Czech photography.
In 1984 Sudek was posthumously inducted into the International Photography Hall of Fame and Museum.
Sudek was used as a symbolic presence in Howard Norman's novel Devotion. The protagonist, David Kozol, was a photographer and mentored under Sudek. David Kozol remarks on the melancholy that pervaded Sudek's work and a similar mood persists through the novel. Sudek figures symbolically in the novel; David Kozol's mother in law worked as a book binder and it was through apprenticeship to a book binder that Sudek became interested in photography. The characters seem to be symbolically injured or emotionally broken like the one armed Sudek and visual imagery figures prominently.
In 2006 the Dutch poet Hans Tentije published a bundle containing the poem: " Met Josef Sudek op weg door Praag", "On my way through Prague with Sudek". In nine parts the poet "helps" Sudek with his photography.
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